At the 2020 Grammy Awards the progressive rock band Tool won the award for Best Metal Performance with their song 7EMPEST from their album Fear Inoculum. When two of the band’s members came to the stage to accept the award, the first to speak was the tall, blond drummer Danny Carey.
Although I did not see their acceptance moment when it happened, I read that Carey had said a short tribute to the recently deceased drummer, Neil Peart of the mega prog band Rush. Peart was one of the greatest rock drummers in history, a true phenomenon in the music world, and one of my favorite musicians. I first heard Peart play in the early 1980’s when I bought the album “Exit… Stage Left” and and nearly wore the grooves flat joyfully playing it ad nauseum.
Hearing of Carey’s mention of Peart, I checked out Tool, and especially their latest album. I had heard of them years ago, but never really listened to their music, so much of what I write here will already be well known to some of you. I discovered they are very, very good (they did just win a Grammy, and have won others), and I liked the first several tracks a lot. In particular I focused on Carey’s drumming, and he is amazing; a true master of his craft. Part way into the album I decided to learn more about Tool and about Carey.
What I discovered disturbed me.
Danny Carey is a gifted, world class musician. From his Grammys acceptance speech he also seems like a great guy, a loving husband and father, and I would assume he is a kind and gentle man. I have nothing against him and, in fact, wish him all the best. Of course, as a Catholic, I also wish him the grace and mercy of God, things we are all in desperate need of.
But here’s my concern: Carey is into the occult, and it appears he does not merely dabble, but takes it quite seriously — is a practitioner of some expertise. In fact, his father was a master Freemason. Since Carey was a child he has been deeply fascinated with the occult. His drumming is an extension, in a way, of his occult practices; even a way to channel demons. Read his bio below to learn some of the salient details of his occult studies and their role in his music.
The following is Carey’s personal profile from the band’s previous website:
Danny grew up in Paola, KS. Relatively normal, an element of mystery was added to Danny’s childhood when one day he spied his father with a large sword conducting a Masonic ritual. Danny would later notice himself performing similar movements when he began playing drums at the age of thirteen. As Danny progressed through high school and then college at the University of Missouri in Kansas City he began supplementing his studies in percussion with speculation into the principles of geometry, science, and metaphysics. A commitment to life as an artist brought Danny to LA where he was able to perform as a studio drummer with projects like Carole King and play around town with Pygmy Love Circus. He would later find an outlet for addressing a fuller scope of his potentials in Tool and another project operating under the title of Zaum. Despite not becoming a Mason or aligning himself with any other school of religion, Danny has maintained his heritages interest in occult studies. Endeavors into this realm have manifested periodically, such as the time he achieved insight into a hidden aspect of the unicursal hexagram utilizing an astral journey initiated through meditation and DMT. Danny then set up his drums into proportions utilizing the circle and square of the New Jerusalem and uttered a short prayer relating to the principles of the ace of swords from the book of Thoth. He then performed a ritual utilizing his new found knowledge of the unicursal hexagram to generate a pattern of movement in space relating to Fuller’s vector equilibrium model. The resulting rhythm and gateway summoned a daemon he has contained within “the Lodge” that has been delivering short parables similar to passages within the Book of Lies. Danny recommends as a device of protection and containment a thorough study and utilization of the underlying geometry of the Temple of Solomon for anyone purchasing their next record.
[Note: This is from 2011 from the band’s website. I could not find or access a more current bio. However, this recent article seems to validate the older bio.]
When I read Carey’s bio I immediately stopped listening to Tool’s album, quickly pulling the earplugs out of my ears. I suddenly felt the need to distance myself from the music and the band. I was mad that I liked the music, knowing that it has certain qualities I find attractive. I had to turn away. But I also couldn’t stop wondering about Carey, who seems like a really nice guy who’s into really dark things. And I realize that I may be the last person to know about Tool and its fascination with the occult.
People are into all kinds of things that are dangerous, foolish, and sinful. This has always been typical of us humans, but I think having and interest into dark things, specifically the occult, is growing by leaps and bounds today. I know that the world is crazy and has little interest in Christ the King. Certainly, many people don’t believe Christ has already conquered the devil. And I know perhaps sometimes we just might have to roll our eyes or shrug our shoulders at some of the things we see. We can’t get worked up over every evil in the world. None of us have that kind of stamina or bandwidth. But the Devil is real. Demons are real. And this is not a little thing.
Specifically, I was struck by two things in the bio above. First, the way he sets up his drums and has played them summoned a demon that is somehow currently active in his playing. Carey say it’s “contained,” but I doubt it. We don’t contain or control demons. Rather, they fool us, and play us, and use us, and eventually abuse us. Second, he recommends that anyone buying their album should have a “device of protection.” This is truly frightening. I doubt Carey consciously intends any harm (I could be wrong), but I believe he is not only playing with fire, rather he has become, and has unleashed, an actual threat to the well-being of potentially thousands or even millions of listeners. His Faustian bargain has won him a Grammy, but the Devil plays for keeps. The Devil wants more than a Grammy. I fear that listening to their album could bring (channel?) demons into one’s own life. In fact, I’m sure of it — and I’m a feet on the ground, level-headed guy.
Demons are real. Demons are truly evil and powerful. Demons ought not to be played with.
Saint Michael the Archangel,
defend us in battle,
be our defense against the wickedness and snares of the devil;
may God rebuke him, we humbly pray;
and do thou, O Prince of the heavenly host,
by the power of God, thrust into hell
Satan and all the evil spirits
who prowl about the world seeking the ruin of souls.
Our Lady of Fatima, pray for Danny Carey.
3 thoughts on “Playing with demons”
Hey, first of all good read… I know this is kind of an old article by now but I’ve been fascinated with the song “pneuma” and listen to it quite often; mostly amazed by Danny’s drumming. I just finished a video on yt and saw those symbols on his drums and now I’m afraid to go to bed 🤦🏼♂️. I’m also a fellow catholic man and just curious what my next step should be having viewed this video and learning the nature of his drumming and that symbol.. God Bless
Oh man. Perfect example of dogmas not letting you evolve personally and spiritually. If you felt intrigued at first, I don’t see why not go there, you just could have learned somethingnew. Oh welk, maybe another lifetime is meant for you
Hilarious! I almost believed you were serious in that ‘demons are real’ comment, but no one could actually be that simple minded. Thanks for the laugh!